Working with Life Size, I designed the new brand and website for Monitorfish, who help overcome the challenges in sustainable fish farming with their state of the art camera and monitoring technology.
The bold graphic device was inspired by the triple lens on the camera, simultaneously evoking waves and movement. To complement this, a finer and more subtle suite of graphics were created as nod to their monitoring software data visualisation.
Rebrand for Deep Branch, who use clean and renewable carbon and energy sources to create ingredients for a more sustainable food system.
Their first product is Proton, a single-cell protein created by a unique gas fermentation process. Using fermentation and the three gases involved as inspiration, I created a suite of continuous patterns and graphic elements to create a clean and vibrant visual identity.
I designed the new brand for the British Nutrition Foundation, who were keen to position themselves as the leading public-facing nutrition charity in the UK. Working with Barley, we created a fun and vibrant identity, resonating with a wider audience - rather than specifically focussing on academia.
Website design for Kiwigrid.
During the coronavirus crisis, I worked with the British Red Cross on their social response, creating illustrative posts offering advice and tips to help the public through.
Working with Shelter to implement their powerful new brand over a series of fundraising events.
The Something Green Wedding Fair was run by the North London Waste Authority, aimed at helping brides and grooms-to-be to select more sustainable, yet sophisticated, options for their wedding. I created the identity, brochure, infographics and social graphics.
Website and brochure design for the iconic Leadenhall Market.
Produced with Barley.
I recently wrapped up my rebrand for DMI (Development Media International) who deliver media campaigns through radio, TV and mobile to change behaviours, promote health and save lives in developing countries.
New visual identity, guidelines, report and brochure styles and graphic brand posters depicting health, contraception and malaria.
Branding / print and web design / infographics
Climeworks are fighting the climate crisis with their revolutionary carbon removal technology. The first of its kind, their plants extract CO2 directly from the air to supply commercial markets such as food and beverage, greenhouses, and carbon-neutral hydrocarbon fuels and materials.
Following one of their brand workshops I was asked by cleantech heroes Life Size to work with them on the rebrand and other deliverables. Climeworks are all about their innovative technology, but their audience are not necessarily engineers. Simple designers like me need to understand what they do. Starting with their logo – a simplified reference to the filtration and air streams – we carried this reference through to a photo and graphic treatment, and then onto icons and infographics. Located in Switzerland, we also wanted to reflect the pure Alpine environment, after all, their technology is quite literally cleaning the air we breathe.
Branding / Print and web design
Branding / Web design / Infographics
KPS have developed innovative kite based system, capable of producing cheap and most importantly clean energy. But they needed a brand to match, so I was asked to work with cleantech heroes LSM.
We developed a photography style and colour palette inspired by the dramatic Scottish landscape they operate in, and a logo and graphic style derived from the kite patterns and bridle system.
Save the children ambassador and model Adwoa Aboah was so inspired when she went to Uganda on a field trip with friend and photographer Felix Cooper, she organised a fundraiser in London for 200 friends and faces from the fashion and music world.
The events team asked me to work with them to create a lock up, look and feel and numerous deliverables for the event which raised £345,000 on the night.
Aveley Court is a development of luxury homes Kent. I was asked by Concept Foundry to create an identity for the marketing of the development. I aimed to reflect the exclusive, yet rural nature of the properties, and reference the Western Red Cedar exteriors.
They all sold, so guess I did my job…
Annual report for Engineers Without Borders UK.
When I’m not creating for clients, I try and time find time for my own creations. Whilst I enjoy experimenting with different styles, I have most fun when I’m bringing to life the thousands of doodles from hundreds of meetings which litter my notebooks.
Over the last three years I’ve worked with Save the Children on their hugely successful Christmas Jumper Day campaign. I’ve been involved with everything from concepts, brainstorming and guidelines, to the design and delivery of countless fundraising, direct marketing and digital assets.
Last year Christmas Jumper Day raised £3.7 million.
As part of their centenary celebrations, Save the Children hosted a garden party attended by Her Royal Highness, The Princess Royal and 200 supporters. I was asked by the events team to create an identity and design the supporting materials.
Hosted at the Royal residence, Frogmore House in Windsor we took inspiration from the lilies and pond in the stunning gardens.
Brochure, including infographics, outlining Engineers Without Borders UK's strategy for the coming year.
Infographics, posters, emails and more...
The British Lion mark we see stamped on 90% of eggs produced in the UK is a symbol of quality and safety, due to the Lion Quality Code of Practice most egg producers adhere to. I’ve recently designed the current Code of Practice, as well as infographics, point of sale posters and marketing emails.
Lion Egg projects produced with Nexus PR.
A series of posters designed to communicate the breadth of Save the Children’s work. The challenge was to encapsulate all the great things Save the Children provide into powerful design, yet not detract from the striking photography.
Once we had settled on the 'word cloud' concept, I spent many hours with the writers and picture editor trying to source the perfect images to work with the typographic design.
Life Size are the cleantech communication specialists. I regularly work with them on design projects for their clients. In turn, they became the client when they asked me create their logo and identity.
First on the First formed in 2016, with the aim to encourage both men and women to check themselves on the first of the month for the early signs of breast and testicular cancer. I worked with them to design their logo and brand elements.
Working with Lambeth Council, I designed this brochure outlining their key asks for the Mayor of London to improve lives for their residents.
I worked on the concept and brochure design for the Emergency challenge, a unique fundraising event from Oxfam. Corporate teams from across the UK go head to head, responding to high pressure emergency scenarios faced by Oxfam staff in disaster situations.
Produced with PGA Branding.
Engineers Without Borders UK deliver workshops in schools on the subjects of power and water, and how engineering can play a part in renewable energy sources and the availability of clean and safe water in the developing world.
My brief was to create child friendly identities for both subjects, and a suite of design elements and illustrations for the work packs and presentation materials.
Identity
Velvet Lotus are specialists offering contemporary wedding decorations for Indian weddings in the UK. I recently worked with them to design their logo and other supporting materials, including business cards and stationery.
Branding, website design and supporting literature for Constellation Global.
Climate change is a huge threat for communities all over the world, especially in developing countries. Christian Aid recently launched a campaign ‘to make the big shift from dirty fossil fuels to clean, renewable energy.’ I was briefed to create an illustrative style and visual identity for campaign materials. Inspired by the idea people wouldn’t invest in such outdated technology as the floppy disk and video cassettes, so why invest in something as dirty, harmful and outdated as fossil fuels?
Identity and brochure for Macmillan, giving supporters the opportunity to donate to the charity through their wedding day.
Produced with Burnett Works.
Design for Macmillan’s Night In, an annual fundraising event encouraging participants to donate the money they would usually spend on an evening out, and instead spend a night in with friends.
I worked on the microsite and the kit, including materials such as a postcard book with cocktail and recipe suggestions, and personalised garland.
Produced with Burnett Works
Save the Children wanted a way to promote emergency fundraising among younger people. I designed this kit, sent to fundraisers, which includes promotional posters and leaflets, a guide book, t-shirt and collection tin. All the necessities to go out and fundraise when emergencies strike.
I recently designed this set of marketing emails for Air New Zealand, aimed at welcoming, data capture and retention.
Charity RedR UK have an annual event when they encourage workers, supporters and fundraisers to wear Red to work for one day. They wanted a lighthearted and fun logo to use across web and print materials to promote the day.
KnowledgePoint is a site where aid workers go to seek free and fast technical advice. Partnered with organisations such as Water Aid, RedR and Practical Action they have more than 150 technical experts, including humanitarian and development workers, private sector professionals, and academics who specialise in emergency-related issues, waiting to offer their advice and guidance.
KnowledgePoint asked me to redesign their logo and work on their overall branding, including the website which is currently being developed.
Photography based book project of mine, centered around the costal towns of Britain and the Costa Del Sol.